Amarante bec-d'argent
Euodice cantans
Un petit fringille élancé, trouvé dans la savane, les prairies, les champs et le maquis épineux. Crème en dessous et brun sur le dessus avec des ailes plus sombres, une longue queue sombre et un bec épais gris argenté. La queue est plus longue et plus pointue que chez les autres petits fringilles. Souvent vu en volées dans les savanes et plaines semi-arides, les zones agricoles et les marais. Le cri du mâle est un “tink” ou “tsip” métallique ; celui de la femelle est une double note. Le chant est une série de notes montantes se terminant par un trille. Originaire d'Afrique ; introduit aux îles hawaïennes.
Identification
The African silverbill is approximately 10 cm (3.9 in) in length with a long black pointed tail. The adult has a stubby silver-blue bill, finely vermiculated light-brown upper parts, whitish underparts, black rump and black wings. The sexes are similar, but immatures lack the vermiculations. This species has a tseep call and a trilling song. The contact call of the male is a single tseep while the female is a double noted tsiptsip. Birds in flight keep up a constant tseep tseep tseep.<p>The subspecies E. c. orientalis is darker on the face and upperparts than the other subspecies.
Taxonomie
The African silverbill was formally described in 1789 by the German naturalist Johann Friedrich Gmelin under the binomial name Loxia cantans. The specific epithet is from Latin and means "singing". Gmemlin specified the locality as Africa but this was restricted to Dakar in Senegal by William Lutley Sclater and Cyril Mackworth-Praed in 1918. It is now placed with the Indian silverbill in the genus Euodice that was introduced in 1862 by the German naturalist Ludwig Reichenbach.<p>In early literature, the African silverbill and the Indian silverbill (E. malabarica) were treated as conspecific. In 1943, Jean Théodore Delacour united both species in his revision of the Estrildinae. However, in 1964, Colin Harrison studied the two in a strictly comparative manner and concluded that they were two separate species. He discovered that although the call notes were similar, the songs are distinctly different in form, but sharing a common pattern. They are sympatric in the south of the Arabian Peninsula and there is no record of natural hybridization. From Harrison's personal observation of birds in captivity, each of the two forms evinced a preference for its own kind. A molecular phylogenetic study of the Estrildidae published in 2020 found that the African and Indian silverbills were sister species that had diverged around one million years ago. The two species formed a clade that was basal to members of the genus Lonchura.<p>Two subspecies are recognised:
- Nom scientifique
- Euodice cantans
- Autorité
- (Gmelin, JF, 1789)
- Ordre
- Passériformes
- Famille
- Estrildidés
- Genre
- Euodice
Répartition et habitat
The species is widespread in savanna country, arid landscape with thorn bush, and grasslands with acacias or dry grassland. It may also be found in cultivated areas and dry grassland. It is by nature a bird of dry country. It is primarily a lowland species but can be found up to 2,000 m (6,600 ft) altitude.
- Migration
- Resident species
Comportement
The African silverbill is tame and sociable, often found perching in trees in dense flocks, touching one another. However, it is a particularly inactive bird, sitting huddled together for a long period of time. It stays in flocks all year round and usually breeds in loose colony.<p>The African silverbill feeds mostly on grass seeds, picked from the ground but also taken from the growing plants if available. It will cling to grass stems to take seeds from the inflorescences. It seems that it feeds mainly on vegetable matter and rearing its young on seed as well. However, it has been recorded to take aphids from water mint (Meinertzhagen 1954).<p>The male displays by grasping a stem of grass at one end, and hops or files to near the female. At once he sleeks down his feathers, stands upright with tail straight down, and jerks his head upwards a few times. He then leans forward, twists his tail towards the female and fluffs his flank and belly feathers. At this stage he usually drops the straw and begins to sing and dance. The flank and ventral feathers are not always fluffed out, and the intensity of the display probably depends on the relationship of the two birds. If the female seems receptive the male will attempt copulation. However, most displays come to an end before this final phase is reached. Successful mating is usually followed by a little bill fencing and mutual preening (Baptista and Horblit 1990).<p>The nest of the African silverbill is usually built in the form of a roundish bundle of grasses. It is lined with soft fibres and sometimes feathers, and may be placed in a thick bush or hedge or amongst the creepers on a house. The male is recorded in the wild as collecting all the nesting material (Meinertzhagen 1954), while the female only shares in construction.<p>The clutch varies from three to six oval, smooth white eggs. The female incubates during the day, and though the male may relieve her when she leaves the nest to feed. It has been suggested that the male does not actually brood (Soderberg 1956). They are both at nest at night. The incubation period is about eleven to thirteen days average, and the young fledging in about twenty-one days and becoming independent within a month of fledging.<p>Newly hatched young are dark and have waxy-looking yellow gape swellings. The plate has a single heavy black circle inside the white mouth flange, which embraces the upper and lower parts of the gape.
Conservation
- Tendance de la population
- stable
Photos
Distribution
Chants d'Oiseaux
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